

Field and Material
Decades in the Barberton Makhonjwa mountains shaped an affinity for weathered surfaces. Work begins outdoors with geological field sketches and collected oxidized iron scraps before returning to the easel.
Canvases develop across months of layering, accidental scraping, and chemical patinas. A mark stays on the linen only when it holds an unresolved question worth living alongside.
Physical Records
Independent studio records
25+
Years in active practice
18
Documented major series
400+
Works on linen and paper
Studio Credo
Paint belongs on raw linen.
The Barberton studio rejects commercial gallery pretension in favor of honest looking, tactile curiosity, and uncurated material work.
Inquiries regarding available canvases, works in progress, or arranged visits to the Barberton workspace are answered directly from the painting desk.


